Well, today is the day Artisan Knitworks moves to Farmington Road (23616) in Farmington, MI -- the relocation company arrives this morning, and presumably we'll have a huge pile of rubble at the other end, as last time.
But tomorrow, I am stuffing Larry in the car and hauling him to Allegan to the Michigan Fiber Festival. The mess can wait. Allegan cannot. If you have never taken the trip, for heaven's sake do it. Vendors are wonderful, the animal sheds have splendid displays, and you can have lunch at a picnic table. You can even buy some on-the-spot-fresh lemonade.
And of course I'll probably buy some new yarn for the new place. Fittin' and proper. Give us a week maybe and then stop by to see how we're doing. We will have a wonderful new staff eager to lead social knitting groups and topical classes, or to help you find knit or crochet projects. By mid-September we also will have big piles of new stuff in the place -- and you can have a cuppa on our NEW out-back patio.
The new contact information is on the Artisan Knitworks website at "Contact Us."
svb
Friday, August 16, 2013
Monday, August 5, 2013
Thanks! plus some BELTS...!
and thanks to all of you for your generous, excited responses to the idea that Artisan Knitworks will now be housed on the other side of the city. We now have a nice, big, outrageously talented staff, including two delightful, very young women of Filipino heritage, thanks to responses to this blog and announcements at local guilds. [On the Filipino point, see entry for August 25]. We will be moving the weekend of the 17th -- don't miss the big moving sale that's going on right now! see previous post -- to 23616 (I think that's right) Farmington Road in downtown Farmington. We even have a back-door patio! So look for us, and know that we will try to open within a week of the move. Now I need to get back to footnotes (the book I've not yet finished) and then to the Wool and the Floss (in search of some ribbon yarns -- I don't have enough colors to make some belts that I'm working on). Jean has wonderful novelty yarns.
Here are two of the little wonders that YOU TOO can make with vintage buckles and novelty yarn (in this case, Trendsetter ZOE for the yellow one and Checkmate for the other). I'll then download my little pattern -- I suppose you could use new belt buckles -- just get BIG ones. And take off the metal keeper. svb
Row 2: Rep row 1.
Row 3: Work 2 SC in 2nd ch from hook, * ch 1, skip 1 in row below, SC in next st, rep from * to * across, ending SC. Ch 1 to turn.
Here are two of the little wonders that YOU TOO can make with vintage buckles and novelty yarn (in this case, Trendsetter ZOE for the yellow one and Checkmate for the other). I'll then download my little pattern -- I suppose you could use new belt buckles -- just get BIG ones. And take off the metal keeper. svb
RETRO CROCHETED BELT
By
Copyright 2013, Sandra VanBurkleo, Artisan Knitworks LLC
This belt can be made any length, almost any width, and in
almost any non-animal fiber light-to-medium weight yarn. Animal yarns stretch too much (though some
animal blends would work – test for elasticity). You can substitute any semi-flat pattern
stitch (including plain SC or HDC) for
the simple pattern stitch used here. I
used this one to introduce a slight bit of texture. Crocheted seed stitch would work as well (rep
SC, DC across all rows, ending DC).
Consider a simple row of SC with shells worked on either side of the
row. You could also work several rows of
trellis stitch and run ribbon, fabric, or leather through the spaces. And so on.
The belt shown tapers at one end by increasing in the first stitch on
every RS row. If you prefer a blunt end,
simply omit increases. Or, if you prefer
a pointed end, increase for half of the width and decrease for the
remainder. For the adventurous: Wear the belt on a tunic of the same yarn,
knit or crochet, with belt loops at each side, or use the belt yarn for
trim or as a second yarn for a tunic made in a two-yarn pattern
stitch.
Materials:
2-3 inch vintage belt buckle (no metal keeper) with enough space for
two layers crocheted fabric
1 skein Trendsetter “Zoe” or other DK/heavy fingering yarn,
not 100% animal fiber
Size D-G crochet hook (test to assure a firm but not
armor-like fabric)
Measure waist.
Loosely chain as many inches as the desired waist, plus 7 inches. Turn.
For simple texture stitch:
Row 1: Beg with 2nd
ch from hook, SC across row. Ch 1 to
turn.Row 2: Rep row 1.
Row 3: Work 2 SC in 2nd ch from hook, * ch 1, skip 1 in row below, SC in next st, rep from * to * across, ending SC. Ch 1 to turn.
Rep rows 2 and 3 until belt is wide enough to fill the
central bar of belt buckle with a bit of room to spare (no more than 1/8 inch
more), ending with Row 2. Break yarn
leaving a long end for sewing (10 inches).
Steam-block belt on WS (hold steamer at a two-inch distance). Let dry.
Tightly wrap square end of the belt around the buckle’s central
bar. Using darning needle, whipstitch in
place on WS. Darn in ends with tapestry
needle, backstitching to secure the ends.
Do not use crochet hook to darn in ends.
Saturday, August 3, 2013
MOVING SALE
From Monday upcoming through Saturday, August 10, we will have a big moving sale at Artisan Knitworks -- lots of stuff we don't want to move at steep discount, and then a modest (10%) discount on most (not all) full-price merchandise. svb
Thursday, July 18, 2013
Thinking out loud.....(this is a want ad!)
As I think about moving the shop to Farmington MI (the new address is 23616 Farmington Rd) -- and it's a lot to think about -- the mind turns to staffing. Our dear, dear Ellen cannot make the move with us. She has a special-needs child, and she cannot be further away from home than about a half-hour. On a bad day, Farmington can be 45 minutes from her home. So we will be looking for good, good people, probably some part-timers.
But then you start thinking about yarn-shop staffing, and it's problematic, isn't it? In the first place, you don't get rich working in a yarn shop. Usually, though not always, the people who work in shops are people who are good, maybe even great knitters and crocheters. And they're women -- though one of the best people I've ever encountered in a yarn store was male (in the Springwater cooperative in Alexandria, Virginia). So you start with the downward pressure on wages that always accompanies women's labor, made worse by the association (it's knitting!) with domestic work, and you end up with low wages, often minimum wage combined with a nice yarn discount. And then you add the fact that it's almost never full time, so you don't get benefits. Finally, it's hard to avoid the hard fact that yarn shops are low-profit businesses.
But, still, it's a great way to spend time, isn't it? So people do it anyway. And then some bad things happen. We have all gone into yarn shops where the people who work there are sitting around a table talking to one another, or to clients (read "old friends") in social knitting groups, and don't even acknowledge that you came in. One of my friends, who is a great person undeniably not deserving of what she got, went into a shop and was told brusquely that the yarn she wanted wasn't in stock, but then she found it in stock without any trouble at all. She left without buying, seriously annoyed. I have been in shops where people didn't even lift their eyes from their knitting. In Philadelphia, I actually fell down and nobody noticed. BUT: I have also been in shops where I was trailed like some kind of potential criminal -- and I even have a nice, gray-haired visage. I have been lectured on basic knitting by people who had no idea whether I could knit or not, much less know what I was doing; it was incredibly patronizing. I have been asked, somewhat incredibly, if I knew how to tell a knitting needle from a crochet hook -- again, from a perfect stranger.
So here is what I think: it's difficult to find really good people. But I have found three in my time as a yarn shop owner So it's not impossible. One thing that happens is that people are in a place for so long that they think of it as a second home (or maybe as a primary home, depending on conditions at the other one!). They think of it as a place to talk with friends. They stop thinking of it as a work place, as a place with a reputation to maintain, as a place where they are supposed to SELL without seeming to be ramming things down people's throats. As a place where everyone should be welcomed, helped, but not tracked around the place.......a tough balance. But a possible balance.
We will be looking for a few good people -- at least intermediate knitters and with luck also crocheters, personable, with open faces and open hearts, not cynical, non-smokers, not smelling of alcohol (as one woman did), with IMAGINATION and a certain love of color and style that I would be hard pressed to define. I'll know it when I see it. My place is not the usual kind of place -- I go fetch much of the yarn from festivals, and that's our PRIMARY reason for being -- cultivating a love of color, of the craft itself, of cutting loose rather than following instructions and living in terror of not doing it exactly right, etc. So much depends on whether our staff can convey what sets us apart. This is an interesting problem: One woman found the hand-spun, hand-made yarns kind of embarrassing -- as if they were some kind of tic that the owner had that she wanted to apologize for. That won't do either. And there's always a bit of teaching, especially to beginners, and helping people with problems, even if they bought the stuff they are working with some place else.....(though we might charge).
If you know someone who fills the bill, or if you do, drop me a note at artisanknitworks@comcast.net. You don't have to have worked in a wool shop. But you do need to be interested in helping people learn about ancient crafts and prosper as artisans. And you need to be comfortable selling stuff. I think this is a better way to find people than want ads. svb
But then you start thinking about yarn-shop staffing, and it's problematic, isn't it? In the first place, you don't get rich working in a yarn shop. Usually, though not always, the people who work in shops are people who are good, maybe even great knitters and crocheters. And they're women -- though one of the best people I've ever encountered in a yarn store was male (in the Springwater cooperative in Alexandria, Virginia). So you start with the downward pressure on wages that always accompanies women's labor, made worse by the association (it's knitting!) with domestic work, and you end up with low wages, often minimum wage combined with a nice yarn discount. And then you add the fact that it's almost never full time, so you don't get benefits. Finally, it's hard to avoid the hard fact that yarn shops are low-profit businesses.
But, still, it's a great way to spend time, isn't it? So people do it anyway. And then some bad things happen. We have all gone into yarn shops where the people who work there are sitting around a table talking to one another, or to clients (read "old friends") in social knitting groups, and don't even acknowledge that you came in. One of my friends, who is a great person undeniably not deserving of what she got, went into a shop and was told brusquely that the yarn she wanted wasn't in stock, but then she found it in stock without any trouble at all. She left without buying, seriously annoyed. I have been in shops where people didn't even lift their eyes from their knitting. In Philadelphia, I actually fell down and nobody noticed. BUT: I have also been in shops where I was trailed like some kind of potential criminal -- and I even have a nice, gray-haired visage. I have been lectured on basic knitting by people who had no idea whether I could knit or not, much less know what I was doing; it was incredibly patronizing. I have been asked, somewhat incredibly, if I knew how to tell a knitting needle from a crochet hook -- again, from a perfect stranger.
So here is what I think: it's difficult to find really good people. But I have found three in my time as a yarn shop owner So it's not impossible. One thing that happens is that people are in a place for so long that they think of it as a second home (or maybe as a primary home, depending on conditions at the other one!). They think of it as a place to talk with friends. They stop thinking of it as a work place, as a place with a reputation to maintain, as a place where they are supposed to SELL without seeming to be ramming things down people's throats. As a place where everyone should be welcomed, helped, but not tracked around the place.......a tough balance. But a possible balance.
We will be looking for a few good people -- at least intermediate knitters and with luck also crocheters, personable, with open faces and open hearts, not cynical, non-smokers, not smelling of alcohol (as one woman did), with IMAGINATION and a certain love of color and style that I would be hard pressed to define. I'll know it when I see it. My place is not the usual kind of place -- I go fetch much of the yarn from festivals, and that's our PRIMARY reason for being -- cultivating a love of color, of the craft itself, of cutting loose rather than following instructions and living in terror of not doing it exactly right, etc. So much depends on whether our staff can convey what sets us apart. This is an interesting problem: One woman found the hand-spun, hand-made yarns kind of embarrassing -- as if they were some kind of tic that the owner had that she wanted to apologize for. That won't do either. And there's always a bit of teaching, especially to beginners, and helping people with problems, even if they bought the stuff they are working with some place else.....(though we might charge).
If you know someone who fills the bill, or if you do, drop me a note at artisanknitworks@comcast.net. You don't have to have worked in a wool shop. But you do need to be interested in helping people learn about ancient crafts and prosper as artisans. And you need to be comfortable selling stuff. I think this is a better way to find people than want ads. svb
Wednesday, July 17, 2013
ARTISAN KNITWORKS IS MOVING...!
Everyone, Artisan Knitworks is going to move -- from St Clair Shores to Farmington, Michigan, within the next 30 days or so. We need to grow, and Farmington not only has a really darling downtown area, but great growth potential. We will be located roughly at the intersection of Farmington Road and Grand River -- details later. It's at 23616 Farmington Rd. In the meantime, check our newsletter for important information as we approach the first week in August!!!!! We're excited, and we're sad -- we have created a family in St Clair Shores. But it's only 27 miles to the new location, so with any luck at all, some of our dearest friends will make the trip. And friends on the NW side of the metro area will have a much easier time finding us. The new place even has a terrace, so we can have some ice-cream socials, etc. More soon. svb
Tuesday, July 9, 2013
Third Coast -- New Workshops!!!
Blare of trumpets: We have added two new classes to the Third Coast Fiber Arts Festival offerings -- they will be in place before the day is over........See Sarah Peasley's really really really wonderful new offering -- "Take Time to Save Time" -- which, believe it or not, is about GAUGE and the many ways in which a person can deal effectively with the problems it presents. Then there is a brand new Candace Eisner Strick offering -- "Knitting Backwards" -- which is one of the most useful skills a knitter can have. Think entrelac -- think edgings. And, yes, this is about knitting without having to turn when you get to the end of rows. AMAZING. Sign up, everyone. And don't miss Lily Chin's fabulous workshops -- four of them!!!! svb
Monday, July 1, 2013
Trip to Columbus
Last weekend, my friend and employee Ellen Taylor and I drove to the National Needlearts Association convention (a trade show) in Columbus, Ohio. This one is the summer show, which showcases cold-weather yarns, buttons, needlepoint canvases, and other fiber-arts related materials. The winter show is in Long Beach, California -- and it has to do mostly with spring-summer goods.
I always enjoy Columbus -- which I still think is one of the best medium-sized American cities, more than livable, with fascinating neighborhoods and genuinely wonderful examples of reused, rehabilitated buildings. The Short North is my fave neighborhood -- lots of great galleries and restaurants, good walking, and good people watching. Also Jeni's Ice Cream which has no equal in the world, I don't think. Try Lemon Blueberry. Try anything. Jeni's also can be found in the Farmer's Market (cool place) near the convention center. We had supper at my fave Asian Fusion place, called Lemon Grass -- highly recommended. If I were younger, I'd probably have flirted with our waiter, who was to-die-for sexy. I'll bet he was a theater major at OSU.
On the floor, there were the usual hugs with friends. But let me briefly note the presence of intarsia again -- I bet last year that it would fade, but no -- though not picture knits so much as color blending in strips or regions on a garment, with some wonderful uses of variegated yarns. Both Ellen and I also noticed widespread use of really NEEEEOOON chartreuse -- typically not by itself but dotted and dashed here and there on charcoal, black, brown, etc. I loved the effect. One trio of Rowan sweaters featured charcoal gray grounds with long dashes, short dashes, maybe 4-6 stitches in bulky weight yarn, which I may try to replicate in some kind of coat, though with almost-black eggplant.
There were a LOT of knitted skirts, some crocheted long garments, including dresses. But I didn't see much that was startlingly new -- just a lot of good designs, solid yarns, perhaps a greater number of indie dyers than before.
I liked what I saw. We drove home through torrential rain and hail, which is not recommended.
svb
I always enjoy Columbus -- which I still think is one of the best medium-sized American cities, more than livable, with fascinating neighborhoods and genuinely wonderful examples of reused, rehabilitated buildings. The Short North is my fave neighborhood -- lots of great galleries and restaurants, good walking, and good people watching. Also Jeni's Ice Cream which has no equal in the world, I don't think. Try Lemon Blueberry. Try anything. Jeni's also can be found in the Farmer's Market (cool place) near the convention center. We had supper at my fave Asian Fusion place, called Lemon Grass -- highly recommended. If I were younger, I'd probably have flirted with our waiter, who was to-die-for sexy. I'll bet he was a theater major at OSU.
On the floor, there were the usual hugs with friends. But let me briefly note the presence of intarsia again -- I bet last year that it would fade, but no -- though not picture knits so much as color blending in strips or regions on a garment, with some wonderful uses of variegated yarns. Both Ellen and I also noticed widespread use of really NEEEEOOON chartreuse -- typically not by itself but dotted and dashed here and there on charcoal, black, brown, etc. I loved the effect. One trio of Rowan sweaters featured charcoal gray grounds with long dashes, short dashes, maybe 4-6 stitches in bulky weight yarn, which I may try to replicate in some kind of coat, though with almost-black eggplant.
There were a LOT of knitted skirts, some crocheted long garments, including dresses. But I didn't see much that was startlingly new -- just a lot of good designs, solid yarns, perhaps a greater number of indie dyers than before.
I liked what I saw. We drove home through torrential rain and hail, which is not recommended.
svb
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